{"id":1760,"date":"2025-07-14T13:28:14","date_gmt":"2025-07-14T12:28:14","guid":{"rendered":"https:\/\/kunstundmedien.de\/?p=1760"},"modified":"2025-10-13T13:29:02","modified_gmt":"2025-10-13T12:29:02","slug":"mit-offenem-blick-der-impressionist-pissarro-14-juli-bis-28-september-2025","status":"publish","type":"post","link":"https:\/\/kunstundmedien.de\/index.php\/2025\/07\/14\/mit-offenem-blick-der-impressionist-pissarro-14-juli-bis-28-september-2025\/","title":{"rendered":"Mit offenem Blick. Der Impressionist Pissarro \u2014 14. Juli bis 28. September 2025"},"content":{"rendered":"\n<p>Die Ausstel\u00adlung zeigt 125 Werke von 70 K\u00fcn\u00adst\u00adlerin\u00adnen und K\u00fcn\u00adstlern, darunter neben zw\u00f6lf Gem\u00e4lden Wass\u00adi\u00adly Kandin\u00adskys Arbeit\u00aden von Josef Albers, Sonia Delau\u00adnay, Bar\u00adbara Hep\u00adworth, El Lis\u00adsitzky, Agnes Mar\u00adtin, Piet Mon\u00addri\u00adan, Brid\u00adget Riley, Frank Stel\u00adla und Vic\u00adtor Vasare\u00adly.<\/p>\n\n\n\n<div class=\"wp-block-columns alignwide are-vertically-aligned-top is-layout-flex wp-container-core-columns-is-layout-bd0aba32 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group wp-container-content-231d8afb is-vertical is-content-justification-left is-nowrap is-layout-flex wp-container-core-group-is-layout-ee1c9ac2 wp-block-group-is-layout-flex\" style=\"margin-top:0;margin-bottom:0\">\n<figure class=\"wp-block-image size-large wp-container-content-0733e5d0\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"816\" src=\"https:\/\/kunstundmedien.de\/wp-content\/uploads\/2025\/01\/Izzaro-1024x816.jpg\" alt class=\"wp-image-800\" srcset=\"https:\/\/kunstundmedien.de\/wp-content\/uploads\/2025\/01\/Izzaro-1024x816.jpg 1024w, https:\/\/kunstundmedien.de\/wp-content\/uploads\/2025\/01\/Izzaro-300x239.jpg 300w, https:\/\/kunstundmedien.de\/wp-content\/uploads\/2025\/01\/Izzaro-768x612.jpg 768w, https:\/\/kunstundmedien.de\/wp-content\/uploads\/2025\/01\/Izzaro-676x538.jpg 676w, https:\/\/kunstundmedien.de\/wp-content\/uploads\/2025\/01\/Izzaro.jpg 1120w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\"><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-nowrap is-layout-flex wp-container-core-group-is-layout-ebc71d8e wp-block-group-is-layout-flex\">\n<p class=\"has-medium-font-size\"><strong>Die Eisen\u00adbahn\u00adbr\u00fccke bei Pon\u00adtoise, 1873<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\">Camille Pis\u00adsaro<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Die Ausstel\u00adlung zeigt 125 Werke von 70 K\u00fcn\u00adst\u00adlerin\u00adnen und K\u00fcn\u00adstlern, darunter neben zw\u00f6lf Gem\u00e4lden Wass\u00adi\u00adly Kandin\u00adskys Arbeit\u00aden von Josef Albers, Sonia Delau\u00adnay, Bar\u00adbara Hep\u00adworth, El Lis\u00adsitzky, Agnes Mar\u00adtin, Piet Mon\u00addri\u00adan, Brid\u00adget Riley, Frank Stel\u00adla und Vic\u00adtor Vasare\u00adly. Die Eisen\u00adbahn\u00adbr\u00fccke bei Pon\u00adtoise, 1873 Camille Pis\u00adsaro<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[189],"tags":[],"class_list":["post-1760","post","type-post","status-publish","format-standard","hentry","category-barberini","post-preview"],"_links":{"self":[{"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/posts\/1760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/comments?post=1760"}],"version-history":[{"count":5,"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/posts\/1760\/revisions"}],"predecessor-version":[{"id":1767,"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/posts\/1760\/revisions\/1767"}],"wp:attachment":[{"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/media?parent=1760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/categories?post=1760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/tags?post=1760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}