{"id":1732,"date":"2020-09-01T22:03:00","date_gmt":"2020-09-01T21:03:00","guid":{"rendered":"https:\/\/kunstundmedien.de\/?p=1732"},"modified":"2025-10-12T22:10:04","modified_gmt":"2025-10-12T21:10:04","slug":"impressionismus-ab-september-2020","status":"publish","type":"post","link":"https:\/\/kunstundmedien.de\/index.php\/2020\/09\/01\/impressionismus-ab-september-2020\/","title":{"rendered":"Impressionismus ab September 2020"},"content":{"rendered":"\n
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Impressionen von Farbe und Licht<\/h2>\n<\/div>\n\n\n\n
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Die Samm\u00adlung Has\u00adso Plattner113 Meis\u00adter\u00adw\u00aderken von 23 K\u00fcn\u00adst\u00adlerin\u00adnen und K\u00fcn\u00adstlern wie Claude Mon\u00adet, Pierre-Auguste Renoir, Berthe Morisot, Alfred Sis\u00adley, Camille Pis\u00adsar\u00adro, Hen\u00adri-Edmond Cross und Paul Signac. Sowie einzi\u00adgar\u00adtige Best\u00e4nde an Gem\u00e4lden von Caille\u00adbotte, Pis\u00adsar\u00adro, Signac, Sis\u00adley und Mau\u00adrice de Vlam\u00adinck. Es ist weltweit eines der wichtig\u00adsten Zen\u00adtren impres\u00adsion\u00adis\u00adtis\u00adch\u00ader Land\u00adschafts\u00admalerei. <\/p>\n\n\n\n

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museum-barberini.de\/app<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Foto \u00a9 Helge Mundt, Presse\u00adbilder Muse\u00adum Bar\u00adberi\u00adni<\/p>\n<\/div><\/div>\n\n\n\n

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Impres\u00adsio\u00adnen von Farbe und Licht Die Samm\u00adlung Has\u00adso Plattner113 Meis\u00adter\u00adw\u00aderken von 23 K\u00fcn\u00adst\u00adlerin\u00adnen und K\u00fcn\u00adstlern wie Claude Mon\u00adet, Pierre-Auguste Renoir, Berthe Morisot, Alfred Sis\u00adley, Camille Pis\u00adsar\u00adro, Hen\u00adri-Edmond Cross und Paul Signac. Sowie einzi\u00adgar\u00adtige Best\u00e4nde an Gem\u00e4lden von Caille\u00adbotte, Pis\u00adsar\u00adro, Signac, Sis\u00adley und Mau\u00adrice de Vlam\u00adinck. Es ist weltweit eines der wichtig\u00adsten Zen\u00adtren impres\u00adsion\u00adis\u00adtis\u00adch\u00ader Land\u00adschafts\u00admalerei. Foto [\u2026]<\/p>\n","protected":false},"author":4,"featured_media":904,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[189],"tags":[],"class_list":["post-1732","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-barberini","post-preview"],"_links":{"self":[{"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/posts\/1732","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/comments?post=1732"}],"version-history":[{"count":11,"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/posts\/1732\/revisions"}],"predecessor-version":[{"id":1744,"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/posts\/1732\/revisions\/1744"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/media\/904"}],"wp:attachment":[{"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/media?parent=1732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/categories?post=1732"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kunstundmedien.de\/index.php\/wp-json\/wp\/v2\/tags?post=1732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}